Antonio Caldara. Crucifixus, for chorus & organ. Composition Information ↓; Description ↓; Appears On ↓. Share on. facebook · twitter · tumblr. Results 1 – 10 of 11 This page lists all recordings of Crucifixus a 16 voci by Antonio Caldara (c ). Antonio Caldara ( – 28 December ) was an Italian Baroque composer. Caldara was ); D’improvviso (cantata); “Alma del core” (aria); “Selve amiche” (aria); Missa Dolorosa (); Crucifixus; Template:Come Ragio di Sol.
|Published (Last):||24 December 2012|
|PDF File Size:||16.43 Mb|
|ePub File Size:||19.66 Mb|
|Price:||Free* [*Free Regsitration Required]|
This beautiful and moving setting in voice parts is by a composer equally influenced by the Venetian and then Viennese styles of the time.
Crucifixus (Caldara, Antonio) – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music
A Caldarw basso continuo lays a firm foundation for the work, allowing great contrapuntal movement in the higher voices. This was what evolved of the “prima prattica” old style by the late Baroque, the old polyphony was mixed with the new harmonic and other expressive compositional devices. Because Caldara sets several phrases of the text simultaneously, he gives each phrase a different musical gesture that allows the whole to be heard clearly: Beautiful non-chordal suspensions draw out the emotional tension of the body of the work.
A remarkable and unusual succession of dominant seventh chords is reached toward the rcucifixus, appearing naturally and skillfully from the previous counterpoint, creating the sensation of a magnificent yet unresolved journey. Suddenly there is a grand pause.
Drinking Hanging Out In Love. Introspection Late Night Partying. Rainy Day Relaxation Road Trip. Romantic Evening Sex All Themes. Streams Videos All Posts.
Share on facebook twitter tumblr. Stabat Mater; Miserere II.
A Banquet of Voices. Hear My Prayer Choral Favourites.